~ The sudden spread of flame over an area
when heated to the flash point
too armored to feel
searching for bodies
our gaze is forced upward
counting as the flames
in the control chamber
rise to this moment
near the melting point
smoke clouds churn
the room goes dark
blue-white fingers beckon
from the roiling ceiling
as if to guide us
on each new call
we must decide
whether to stare into the fire
or flush it out
my invisible woman ☊
had vulcan green veins beneath her clear carapace
like the ones rising on the back of my hand / flesh i chew raw
in my sleep. no map to anywhere / my aging chrysalis
imperfect as she was perfect / down to implied fingernails
her blank face / bald transparent casing / for a smug pink walnut.
her seven magic openings were soldered with plastic
invulnerable even when i buried her in shaley dirt.
i crowned her with pitchblende / radium trapped in greasy peaks
of luster. her heart was wrapped red meat / while mine turned
lump of black crystals / x-ray power burning through its cracks.
so many times i wanted to travel / to climb out of there.
only once did i come close to the mountainous border.
wellbutrin shot pure night through my willing capillaries
pulling my invisible woman back to her safety box
whose cardboard dark quelled hunger like holy communion.
this is what i never told you / friend i never would have met
when i woke / before the failure on my fissured tongue
leaked apology / ineluctable acid from its dying
battery of excuses / memories I could not contain
disappointment tore at me / stripped me like cellophane.
13 Ekphrases for Louise Bourgeois'
Valediction Without Central Metaphor
You were my coup de foudre, my love at first sight.
In French, this means stroke of lightning—electricity
running through my stunned body from crown to sole.
Love, you were blind. From birth, your eye muscles
twitched, your deep nearsightedness strained beyond
correction—much less cure--by any surgery or lens.
Congenital vertical nystagmus—life sentence
to magnified text, to voice synth, to print pressed
close to your gorgeous face. A petal between pages
I shut to keep blooming somehow. A wing’s shadow.
All the sad songs that make blindness a metaphor
for failure, unperceived fortune, letting me/you go,
I must redact, skipping at that phrase—scratched
record, heart’s needle jumping and moving on. Love,
I tried to say goodbye without leaving, but no--
the radiance of your presence receded from my flesh.
Once we walked hand in hand, pressure of small
fingers on sinuous palm affectionate and directional.
I cherished everything about you—your monocular
scanning street signs, a steampunk periscope. The cane
you hated, albino spider crouched folded by the wall.
Love, oh careless love—the quiver of your mood-ring eyes,
darkening to blue, drew me to your sky, both canopy
and ground for coupling. Shaken by the foreplay of desire.
space between skin and surface
bandage that warms like flesh
eyes framed or hooded
mouth a hacked Vendetta grin
strips of newsprint lathered
with flour and water
each layer dried completely
before adding the next
when you are finished
you can drill it just like wood
I see how you use
to talk about yourself
without talking about yourself
pages fan the podium
drafts sleet the floor
the grain we go against
the figure in the carpet retreating
the yellow wallpaper read
in a certain slant of light
the headlines of the world
Inside the big tent, we are watching
real toads in imaginary gardens.
Blooms and tendrils glisten, watered
silk under a naked coat of glycerine.
The toads blink, lumps of dirt and spit.
We catch them with our hands in the field.
They piss our palms in defensive terror.
That stink is as stubborn to get out as ink.
The toads look as bored as we feel. The crowd
cries for meme clowns and horses. Daring
young men on a redacted flying trapeze, gliding
on strips of dark air with the greatest of ease.
We live in a wheel / where everyone steals.
You sigh. The first smoke curls from your nostrils.
An arsonist, febrile as a smoldering cigarette,
hooks the line on waxed canvas, where it bursts
into a famous many-fingered ball of fire.
The crowd rears. Wallace Stevens looks up
from his polished desk, thinking, The tragedy,
however, may have begun. On the grounds,
the women and children and drifters of Hartford
are burning. We work on in the panic
of numberless dead, in the trauma of children--
barely scorched—like the giant cats that flowed
on instinct down black chutes into a world
patched round. Afterward, only their feline minds
could bear the shouts, the memory of flame.
And Little Miss—her face unmarked except
for a sleeping shadow and a scorched bindi--
was buried in flowers, exhumed, buried again.
We could spend a lifetime identifying her.
Furling the big top, walking home from school
in the trampled mud of silence.