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Archive #25
July, 2015


Bruce McRae: A Weak Self-Image, A Fine Poem

PictureBruce McRae



  

  The Bee's Knees

It’s only suddenly dawned on me,

how I’m nothing more than sand in a shoe.
That I’m a puppet in a seaside skit.
A minor character in a beach novel.
How I resemble most a reflection
in a carnival’s trick mirror.
 
And here I thought I was the pig’s wings,
the caterpillar’s kimono, the gnat’s elbows.
Instead of this tongue-tied parrot I’ve become,
the one spouting self-righteous epithets in order
that he might confirm his paltry existence.
 
And not this monkey on a string.
Not this breeze over the city dump I am.
This creaking wheel. This lousy haircut.

Read the poetry of Bruce McRae
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Emily Hone's New Poem, Uses "Downed Vessel" As Metaphor

PictureEmily Hone

 Downed Vessel

  Bells within
  cause clangor,
drown
sounds that
currents make
as they boil past-
we go in
opposite.
 
White lie servants,
steering the wheel so
far south,
how could we not
go down?
 
No Captain to
guide.
And though this
vessel’s shared,
we’ve proven only
mock shipmates.
 
Churning swifts keep all
aboard-
Ship clutch tenants
close-
All at once trapped
and
left behind.


Read the poetry of Emily Hone
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Marie Anzalone's Poem Is A Stirring Homage 

PictureMarie Anzalone






Written for a Living Poet 5: A Field Guide to Dragons

for all that we have been told 

of roses and hearts 
       and glittery rainbows 
the act of writing poetry 
       is still a man's domain 
by and large;  

women write of "female interests" 
      and men define  
the laws, morals- 
   ask the toughest questions 
 are known as the new epithet: 
"wow so Smart!!"
  [add a couple of hearts and smiley 
faces in there for effect] 
      for being clever.   

but there is a defining edge 
  cleverness and art 
 sometimes, not always 
   cross paths and purpose. 
 There are shores  
    we all wallk alone, 
  riptides we do not put our 
      toes in, knowing 
how quickly one will get 
   simply sucked under.  

there are dragons none of us, 
    men, women or otherwise, 
  ever slayed. The reason  
is deceptively uncomplicated. 
   We have trained our eyes 
  not to see them- neither the 
scales they leave scattered  
     on breakfast tables in-between 
marital silences; nor the snot 
  they leave in endlessly filthy 
drains in bathtubs and 
 kitchen sinks; 
    nor the scorched places  
in the conjugal bedclothes.  

these are the reptiles of  
   our dysfunction, the worms 
of discontent. Like Blake's 
   unnamed pestilence, they 
gnaw at the heart of all 
      we once believed, was true 
  and good. Very few men venture 
into their lairs, even by accident. 

and here you come, respresenting 
  "the fairer sex" walking in beauty, 
acquainted with the night 
 armed with a ruler, weighing device, 
  watercolors inks and pens,  
spectrophotometer. Walking 
    among us, walking shorelines, 
mapping the feeding places
  of animals;
dipping whole legs, not just toes, 
  into undertows, studying the  
      riptides of the North Atlantic.  

the unarmed Poetess, the knight  
   in humble rags. Examining 
the way the sun 
  glints just so after a household 
     tempest, reflecting off the spines  
   of dinosaurs, roses, and books.  
 Sketching from the places 
    where "real life" intersects 
with "might-have-beens," 
 dissecting the internal anatomy 
   of the disillusioned heart.  

Creating nothing less 
  than our own  
    "Illustrated Field Guide 
to the Dragons of New England."

(for Linda. because it was far past time  
 that someone wrote something, for you. 
Happy Birthday, 2014.)


Read the poetry of Marie Anzalone
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A New Poem From The Pen Of Poet Edjo Frank

PictureEdjo Frank

 She Mali

  bare feet in the sand
  toes point to the sky
blood stains
on the cotton dress
folded as a flag
over the body
 
silence
between the sand dunes
except for the high screams
of desert vultures
exercising patience
 
men with arms
heads covered with cloth
their lethal visit
betrayed
by the silent witness
of tire tracks
 
layers of clotted salt
cover valleys
where once slots
intersected her face
tears dried long ago
when spirits flew
on a high wind
promised
never to come back
 
she folds her hands
muttering words
only the mullah understands
wind pulling at her hair
as a tug trying
to free the wreck
battered against the rocks
 
in vain
 
what has been taken
will not be given
what was most precious
deprived of soul
leaving behind
the senseless legacy
of elusive religion
in a confused world
of thoughts called
mankind

Read the poetry of Edjo Frank
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Therese Sellers' Newest Verses Are For Poets 

PictureTherese Sellers


From "Twelve Short ....Poems for Poets"


Instructions

How to write haiku:
stay very still and concentrate
let one teardrop fall



                    Advice to a Poet

                        write tiny poems
                        and slip them through keyholes
                        remember Metis,
                        the fly-sized first wife of Zeus?
                        she conceived fierce Athena


Poetry Workshop

They broke me of rhyme and meter,
They stripped me of punctuation
They took away my classical allusions
and left me in a room with no walls


                    On the Fragility of Inspiration

                        mysterious source
                        of my poems, how I fear
                        your mortality

Read the poetry of Therese Sellers
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R. H. Mustard And The Piano As Metaphor

PictureR. H. Mustard

  
Lesson

   I touched the keys
   you left on the piano
in plain sight,
they sang your melody
in broken chords
I could not resolve,
though the notes
were clear enough,
to hear just what
you had in mind.
Unlike you,
I've never had a lesson
in sharps and flats,
never learned
if my hand
could contain an octave
by itself, what pedal
my foot might push
to sustain the music
longer than what I heard
in the first lesson or two,
nor would I know
who to call
should the keys
fall out of tune,

too soon.

Read the poetry of R. H. Mustard
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We Extend A Warm Welcome To Poet Bethany W Pope

PictureBethany W Pope

 The Dancing World

  At night when the shadows 
  roil across tarmac 
  like speaking tongues 
and the foxes whirl 
in inhuman spires 
of noisy courtship, 
when the streetlights spread 
their jaundice across 
the chrome teeth of parked cars
slumped slumbering 
in their wasted oil, 
the ragged trees
resume their dancing. 

Cherry, oak, birch, elm, 
the tattered fronds of willow 
all draw up their roots 
from the soil we left them, 
taking hold of white fibers, 
both feet and skirts, they make 
their ancient procession. 

They share their sap 
with brothers who overwhelmed 
the shrunken Scot in stolen mantle,
shaded suddenly the window
that lit the bloodspots 
on his lady's tremulous hands.

There are not so many dancers,
now, nor men with eyes to see them.
It is safer, for us, to restrict 
our wonders, sacrificing Joy 
to barren rationality that fruits death.

But all times pass, 
and each word 
contains its opposite. 
We bear our shadows 
in our flesh, waiting to blossom. 

I flower in moonlight, 
I wheel with the fox. 
Their eerie throats 
are singing to me. 
I know the terrible 
Joy of the forests, 
bound in for now 
by our illusion of safety,
waiting to rise. 
We are so close to dancing.


Read the poetry of Bethany W Pope
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We Warmly Welcome Poet Emily Strauss To VerseWrights

PictureEmily Strauss
 Moon Light  ☊

 Through the skylight
  the full moon splashes
  gray-white opalescence

not a new task— every month
it rises roundly yellow against
the liquid amber and white oak
landscaping or steel towers 
of power lines across the mud
flats at low tide

with the distant lights
on the bare hills
shining across the bay

every month is not a new
thing, we may count on its
regular appearance like
a dream of a lover
returning
recurring
a loss that never leaves
this its white reminder, 
the round face of what 
we must remember
or are forbidden to forget

so we need to notice
every time, even as we
forget his face exactly
now, and his arms--
the moon feels colder 
these days
through the electric wires
the plane trees
the skylight
on my single bed.



Enjoy this poem in the PoetryAloud area
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Juliet Wilson Shares A Child's Moment In Her New Poem

PictureJuliet Wilson



    A Fist Full of Bees
                      ~for Bob

The bumble bees were furry
like your favourite cat

You caught them one by one
stroked them gently
and held them in your tiny fist.

Their whirring wings
tickled your skin
as they buzzed.

When your mother opened your fist
the bees escaped
and you cried

though you had not been stung.

Read the poetry of Juliet Wilson
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Robert Nied: When A Demonstration Demonstrates

PictureRobert Nied




 The Demonstration


I drove passed a demonstration
people in front of bulldozers, police behind their shields.
There was chanting and confusion
but I knew who would win and who would yield.
 
I saw two get arrested
an old woman and a young man.
He was animated and resistant
she smiled and made her stand.
 
I wondered about her life
the children, the art, the pain.
What was so clear and known to her
that made her crazy act seem so sane?
 
I watched the plastic cuffs tighten
and turned to hide my face.
Because I’ve already lost his passion
and never had her peace and grace.

Read the poetry of Robert Nied
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Joanna Suzanne Lee And The Relationship

PictureJoanna Suzanne Lee

   Evanescence

  some things are too easily forgot-
   (ten), like the wire
   to the champagne cork, twisted
   to separate
the front door key
from the back. 
 
i miss your two oclock river-
heart, the train-
slowing beat of us
in deep afternoon light,
how i used to run
back to that spot 
by the bridge and find you
waiting.
 
there are places where
air has more space
to breathe, the skies 
heavy wrung out 
washrags damp
with dirty sunshine.
 
in air like that train warnings
hang lonely, remembering
things like champagne, 
its bubbles the very metaphor
for hope. 
 
i wish
we could have kept each
other from falling. i want
that song caught between
whistles, about running
till your sides stitch up, 
about two riverbank lovers
still on the edge 
of something.


Read the poetry of Joanna Suzanne Lee
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Shan Ellis' Poem: Total Release

PictureShan Ellis

Catharsis

  It wasn’t an accomplishment,
  laying in half cocked heather,
dying
grey as dawn
shrouded final breaths,
beads of dew
glistening silvery webs
rolling tracks down sodden cheeks.

It was no effort
holding that heart to rest
in a myriath of broken promises and lies
an Avalon too far to reach
a hairs breath,
exhaled, lost in watery mist.

I thought I heard
my name whispered
just as the pale ray reached
this mire,
and I lost tomorrow
hopelessly
amidst the thrall
of today.


Read the poetry of Shan Ellis
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David Adès' Poignant Lament On The Death Of A Friend

PictureDavid Adès



  Sad

     ~In memory of Lincoln Siliakus

Anne put it simply, beautifully,
a world contained in six words:
Lincoln left us yesterday in Avignon.

Another candle’s warm glow snuffed out,
another patch of darkness in place of light,
another disturbed sediment of memories.

Some say we pass into a bright light,
we pass into a wondrous embrace,
we pass into a loving realm.

I know nothing of this, 
yet I entertain the notion
that the light is the light of millions

of guttered candles, that the embrace
is the embrace of those who went
before us, that the loving realm

is the welcome we receive
when it is our turn to pass,
that Lincoln’s spirit is waiting now

to pour its light into the darkness, to hold
my spirit with warmth, with generosity,
with the wholeness of its nature.


Read the poetry of David Adès
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We Extend A Warm Welcome To Poet Roslyn Ross

PictureRoslyn Ross


  


Storm

Grey clouds gather, rippled,
fringed across the hem of sky,

ruched in certain order, stitched
in darkening threads,

so they burst ephemeral, 
crouched against light’s death;

billowed, skirting, ruffled,
searching for a place to die.


Bowl


From turn of trunk
to tabled form,
the tree has taken
shape, and now resides
in shining arms
to hold with ready
grace. This bowl
has been in rooted
earth, and born
through steady hands,
as time and patience
bring to birth, a new
form—life returned.


Read the poetry of Roslyn Ross
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Katherine Gallagher's Poem Is A Heartrending Portrait

PictureKatherine Gallagher



Woman in a Tableau

            ~after an incident in the Sahel region reported by a UNICEF official


dust shadows her face
 
                                    nightmare
 
drought 
 
                                    water polluted
 
the choice between
 
                                    giving her child watery mud
 
and letting him die
 
                                    seeing the choice
 
over and over
 
                                    telling her hands
 
becoming the choice
 
                                    giving the baby poisoned water
 
his tongue burning now
 
                                    forever against hers
 

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Mark Gordon's Latest Poem: A Probe Of The Universe And Self

PictureMark Gordon
 




Headband

You have to stop and watch
 the portly man throw the Frisbee
 to the dog, see that in the flick
 of the wrist, in the excited eyes
 of the dog, is the glowing path
 
of the milky way that the Lord
wears as a cloth, a headband
or a toga. Sometimes I forget
to look, take a minute to stand
by the river, to watch the low-
 
flying swallows aim themselves
at mud. I am all personal desire,
what I have to do, as if I am
master of the stars, the river,
myself, flowing without reference
 
point. Then I stop, stand
before the stream of stars, flight
of dog and man, know that
someone speaks to me, voice
of the headlong river’s bend.

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Poet Marsailidh Groat Finds, Then Defines "Home"

PictureMarsailidh Groat




     Home


I sit in a small pub, sipping my cheap pint,
and smelling the smells of the people around me;
we do not resent each other for our bodies, our skin.
We are not pressed against each other in swarms,
sweating angrily, indignant that we are not where we should be,
and not fast enough.


Instead, we sit, the heat of bodies warming us from the Edinburgh chill,
the kind of cold that shortens your neck and tightens your .jaw.
We are not in transit; the place we are
is the place we intend to be.


Two of us are playing music, their fingers and mouths
casting the stories of people that did for years
what we are doing now.
I feel that there have always been cheap pints,
and warm pubs, and bodies, and stories,

and beauty in the everyday of a farmer and his ox.

Voices are soft and relaxed, and none of us are special;
home is not a privilege, and does not need to be earned.


Read the poetry of Marsailidh Groat
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Cristina Umpfenbach Finds the Focus

PictureCristina Umpfenbach
   Through a Lens        Sharply

  Colors bright
  under the midday sun,
  green, red,
orange, yellow
a perfect picture,
a perfect angle.
Earthen tone tribal cloth
draped around her
against a bright blue sky,
billows in the breeze
which carries sand
over the parched expanse
that is her life.
She sings softly,
swaying,
waving away flies
on the face
of her starving child

Read the poetry of Cristina Umpfenbach
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We Extend A Warm Welcome To Poet Carl Scharwath

PictureCarl Scharwath



An American City

         ~Dedicated to Baltimore

                 The city slowly
                      withers and dies.
                      While the living
                      flow angry
                      in open streets.
                      To a new renaissance.
                      floating down the river
                      like a colorful leaf
                      on splattered sunshine.



Fallacious Weather

Schizophrenic rain danced
         violently across
the metal roof
 
Two lovers awakened in the
         tempest fury,
souls revived
 
A relationship ignited by
         a silver cloud
twisted upside down
 
Their last night
        phosphorescent sorrows
howling whisperers of denial
 
crowning kisses
       bodies encased
in a pharmaceutical straightjacket


Read the poetry of Carl Scharwath
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Poet David Thornbrugh In Paris

PictureDavid Thornbrugh



 



French Kiss

In Paris, the waiters laugh
when I mention Rimbaud.
“Rambo is a killer,
not a poet.”
A croissant kidnaps me
makes me read Foucault.
“You are not writing this poem!”
scream the snails.
I can’t even thank heavens
for little girls
without looking like a moustache pervert.
When the Eiffel Tower went up,
everybody hated it.
Now Rimbaud and Verlaine
could get married,
sell guns on the Internet.
Poetry? Any idiot can write poetry.


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A Close Encounter: Bethany Rohde's Newest Poem

PictureBethany Rohde





Is That Your Body Blocking the Light?

Across this lawn,

blacktop of shadow
cast between us.

Darkness you did not intend.

How can you, Oak Tree of seventy,
be obscurity and beacon, both?

Through leaves,
I hear whispers growing fainter,
Sh- sh- sh, until we share


each other’s air again.

Read the poetry of Bethany Rohde
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Rosa Saba Returns With A Pair Of Companion Poems

PictureRosa Saba








nine lines

lyrics sharp and mind warm, like wax
waiting for words to press themselves deep
into skin ready for something other than silence
music fading into the shuffle of thoughts
and the creases between shaking fingers
barely held steady by each other, by tired palms
ragged nails biting skin, trying to soften the blow
of the realization that even pieces of poetry nine lines long
are unable to support this feeling


nine more lines

something about the words i've spilt 
forwards onto the concrete, covered by snow 
that no longer reminds me of time past, but now 
just reminds me of the time i have left 
of warm things, quiet music and cold air 
softer words than i have used in a very long time 
and suddenly, nine lines is enough to support this feeling, .....because 
this feeling flies on its own, and i am 
tagging along


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Mark MacDonald's Poem: Women and Gentlemen

PictureMark MacDonald


    



The Daughter of Two .Mothers

Born in Des Moines in the late 1930’s,
she never quite understood her father
but felt close to her Aunt—the aunt

who never married and lived
with her friend near a bookstore downtown.

Her mother grew chrysanthemums—renowned
as one of the Four Gentlemen in Chinese
and East Asian art—The Chrysanthemum, 

The Bamboo, The Orchid and the Plum Blossom.
A flower for each season, they belong
to the category of bird-and-flower painting 

in China during the Song Dynasty, according
to her Aunt—the aunt who liked wine
and sometimes ate with chopsticks—the

aunt who never married and lived
with her friend near a bookstore downtown.


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For jacob erin-cilberto, An End To Youth And Idealism

Picturejacob erin-cilberto




  a puff of pensive reflection

we shared cigarettes
and the smoky illusions
of the 60's
ideals real in the heart
we loved unconditionally with conditions

emotions became wistful, wishful thinking
as you retreated into your yuppy-ism
and my hair got a little longer
a bit more disheveled 
like the veins in my ideology

you spoke the goodbyes first
and i felt the movement waning
with little protest,
i lit up a few more drags of the past
and

finally put the pack of desultory dreams away
where it and you belonged.


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Poet Janet Aalfs Shares Two Of Her Recent Poems

PictureJanet Aalfs


The Work of Love

Blank
as the space between
a shout and an echo
I begin. Ebony
the smoothest wood
harder than all.
To sing these
black notes wandering,
sculpted scales and rain fall
shadows through my heart.
Impossible
as a snowflake
in a furnace
I begin. Nothing
I have known before
can lead me, disarmed
as I am. The way
a heart is made to know
what it knows
astounds. No guide
but rhythms breathe
music as I chisel,
softer, more inward,
more deeply
still.


Farzana's Light

I am not this blood,
not these bricks and rocks
father, brothers, cousins
broke me with
on the courthouse walk.
Hell is theirs.
And I am not.

Chant by chant a lotus
rises above the mud,
and the moon in a river pool
sinks into the heart
of the song in this
starlit, stonelit temple
I am.

In memory: Farzana Parveen
Lahore, Pakistan, 2014


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Poet Charlie Brice Delves Into The Waves

PictureCharlie Brice




   Things That Come
   in Waves*


I. X Rays, Gamma Rays, Microwaves, MRIs
 
How deep must we go--
past skin, past bone, past muscle?
Descartes thought the soul resided
in the Pineal gland.
A pea-shaped bleb of light
cleaves to something anterior,
or caudle, or posterior.
Eventually we are all read-out
by someone in a white jacket
we don’t know; a  stranger who,
between a sip of diet soda
and a bite of peanut butter bread,
 
counts the peaks and troughs--
calculates the dead.

 
II. The Gravitational Harmonies of Deep Space
 
We were never a beginning, only
the other side of a collapsed star,
black hole excreta; random
whim of an indifferent singularity.
The Big Bang: the next feature
after a celestial intermission
between a gazillion cosmic films,
an astrocinematic ructus
with no beginning, no final act.
Only we end, eventually
not even a mote bowered
in some defunct god’s eye.

 
Our son, his world, my wife’s hand,
my myopic Everland.
 
III. Sound
 
That finds itself
then gets lost
finds itself
becomes confused
drops into splendid solitude.
Goldberg Variation number twenty five
deliquescent embryo come alive
but barely so--
the question, will it survive,
lingers throughout.
Glenn Gould’s hum carries Bach’s song
to its refulgent end.
 
We strive to grasp its meaning.
It eludes us now, then, and again.

 
IV. Weather Fronts
 
It can get so cold
that your soul turns to frost
like rime around a cocktail glass;
so hot that your heart bakes
your writhing lover’s back;
so rainy that retted streets
flow like the River Lethe,
your essence a flood of melancholy;
and the wind, the wind turns
your wheat field pages
like ancient sacred screeds
caressed by cowl sleeves.
 
Are you listening Heraclitus?
Change was all you left us.


*Titles taken from The Windward Shore: A Winter On The Great Lakes, by Jerry Dennis

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From Danielle Favorite, A Room With A View

PictureDanielle Favorite


From my bedroom window

I wait for you
between the shoulder-blades
of winter and summer solstice.

      Please, thaw my frosted heartbeat.

I'm ready for the supernova
that is your lips--
     breathe fire and ignite my breath.

Hold my frost-bit hand,
melt the ice from my voice so I can sing.

The moon is ripe--
     unfreeze me, free me! so I can pluck it,
    like a berry from the charcoal sky.

I've seen your name
etched with frost on my bedroom window,
    winter cursive on glass.

I call for you, the breath of my silence
soaks into the night, and I watch snowflakes
     drop into my eyes;

     I shiver, a star flickers out.


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LA Lorena's Relationship With Her Readers Is, Well...Sensual

PictureLA Lorena
Blush

my fingers itch to impart
inky lines upon pale pages
for your pleasure
 
a wanton need fulfilled when
wrapped metaphors shroud me
in mystery
and veiled intentions wear clever disguises
 
cloaked in lace imagery
I prettily beg to be peeled back
layer by layer
to expose that hidden and secret
inner core
 
I blush
 
I need you
 
only you can undress me
gently pry apart my lines
tenderly palpate stanzas
and oh so lovingly
coax my intentions
to the surface

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Vaishnavi Nathan, Tangled Hair, And Magic

PictureVaishnavi Nathan
Tangled Hair

If she should love him, 
he promised
to find secrets in her tangled hair. 
                       She thought--

java chip frappuccino, 
uninvited sunflowers 
on her door step, clasped hands 
on a bench along Rundle Mall.
She thought--

$9.99 salvos sweater on the coldest 
winter day, an hour conversation
under a streetlamp after Spanish class, 
dirty playgrounds at midnight. 
She thought--

believe in magic,
try again.
So she said yes,
wore his watch and 
soon he left. 

She unravelled her hair 
and went to see the barber.


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Laura Madeline Wiseman Shares Her Latest Poem

PictureLaure Madeline Wiseman
  Courage Charm

  My name catches like a city bus
   caught by the end of a hand,
   the middle a dash for a backpack
   and a wave along the trail.
 
Evergreen and small, crowded
among nine sisters of kin height
I cultivate my own fruits, learn
           what I can, grow my strength.
 
My palms open long and narrow
point to pelican, sky, bay of blues
he could no longer step into, where endlessly
           edges split and separate.
 
Once, I let him make me into whatever--
basket, broom, whisk, constant wife. I was
his wooden dock and pilings,
           his pole and wharf
 
from which he wouldn’t sail,
the sandy shore of war he rooted
toes into hot and white
           with lonely. I ornament
 
a different path now, sound the breeze
above a new walk, refuse to spine
boardwalk, beach front, tide
           but I will always be
 
calm in tidal groves, inland
in hammocks. He once found me
the hardiest of the new world
           even if he wouldn’t stomach
 
palm heart, cabbage salad, palmetto
center of olive martini, but his hunger
will be our making. After all, interweaving
           these blades is the call.

Read the poetry of Laura Madeline Wiseman
Read a profile of Laura Madeline Wiseman


In Eleanor Swanson's New Poem, To Hunt Is To Kill

PictureEleanor Swanson


 Summer of the Hawks

 In the spring we started to see a pair
 of Cooper’s hawks, tiercel and hen,
 high in our neighbor’s catalpa tree,
long before its white blossoms appeared.
The hawks were mostly silent then, brooding
in the uppermost branches of that tall tree
or sometimes flying together, diving
and gliding over the trees.
 
But then the chicks came, and soon
they were fledglings, and catalpa petals
were floating down and carpeting
the street our aerie of hawks flew over,
high and low, their calls half a cry, half
a whistle, cries for food, feeding cries,
call and response, all day long.
Sometimes they flew from the catalpa
to the enormous dead elm, skeletonous,
in our front yard, or they perched on
the utility pole in our backyard above
the bird feeder I hoped was well-concealed
by overhanging branches of the plum tree.
 
More than once I’ve stood, watching
a perched hawk gazing down
unflinchingly at me—a mere mortal.
 
The neighbor across the street calls
out as we both stand in our front yards. 
“They’re teaching the young to kill,”
he says, and then, he amends,
“to hunt.”  He laughs uncomfortably.
 
When we walk the dogs, we pass
clusters of feathers, doves, flickers,
and more, fanned out on the grass,
no other traces of life.
 
In the back, there’s a tall branch
in the apple tree, pointing upwards
in a Y shape, a perfect perch where
the finches often sit.  I want to tell
them, danger, fly away. 
 
This afternoon, some chickadees are at the feeder
and some are deep in the trees, calling dee,
dee, dee, wanting more seeds.  
  
I watch that high branch where a rosy finch
now sits. I watch for the flash of wings--
beautiful and terrible too--
and the tiny bird, vanished.


Read the poetry of Eleanor Swanson
Read a profile of Eleanor Swanson


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